The Marc Jacobs show took place at the New York Public Library, a Beaux-Arts landmark, emphasizing the symmetry popular in the late 19th and early 20th centuries. The photo shows Marc Jacobs with former Vogue editor-in-chief Anna Wintour at the recent six-minute fashion show.

In recent years, Marc Jacobs' runway shows have rarely exceeded 10 minutes. At this stage in his career, Jacobs seems less concerned with public perception and minute details. His shows are a platform for presenting ideas and freely analyzing them afterward.

Jacobs revisited the familiar punk elements that helped establish his name. The new designs feature padded shoulders, padded hips, dropped waists, upright collars, and muttonchop sleeves, echoing classic Victorian tailoring.

The fashion house discarded formality and heavy structure while maintaining visual impact.

Jacobs embraces stylized and distorted proportions in clothing.

The brand continues its emphasis on oversized platform shoes and towering heels, serving as a lever of soft power for the outfits.

Jacobs also pursues maximalism, harmonized with monotone outfits or restrained patterns. This approach explores the female form creatively, raising the focal point and placing it within layers of clothing, emphasizing soft power.

The design pictured features a high peplum, shaped like an inverted flower. The skirt is artfully twisted, with prominent stitching resembling an inside-out pillowcase, paired with the white hues typical of Victorian lingerie.

"Beauty comes from details, but also from the combination of details, as long as it satisfies the senses," says Jacobs.

The color palette transitions from bright to subdued, with exaggerated shapes interwoven through contrasting layers in the collection: from easily combined, everyday wear to creations designed to appease Jacobs' creative spirit.

Introspective and quirky, Jacobs' runway fashion is increasingly personal. He uses his career's essence to realize each idea, from the poignant loneliness of the digital age (Autumn-Winter 2023) and the nostalgia of pop culture (Autumn-Winter 2024) to his love for the captivating Victorian aesthetic.